This term should generally take the suspect. Now, about a musician and artist. It is an axiom that the artist and the musician should not work outside of the general plan. I do not understand why put this question.Is not it clear that they must work in the overall design? But when Zawadzki says artist and musician to get to work after the actors will have to do something, then it's mine, no good. The artist and musician must also pass a preliminary stage of the work. They are participants in the show.So legend shall be communicated to them too, so they understand immediately the idea of вЂ‹вЂ‹future performance. Explication, I repeat, it is necessary to bang once. Let the living creature of the actors cast in the role of the individual director, as was once to me when Apollonsky after I returned my explication of the role and said: "I am not a participant in such matters."At first I was taken aback. I was just a kid who could hit in the face with his boot. And then he was a giant in the theater. But then I was happy, and now I say: let 90% of the actors throw a director in the face. The better. At least then no misunderstanding will not. Those actors who will remain with me, will work.And it happens that the actor is silent for different reasons, but with all my heart I struggle. He wants to be free in the evenings to be in the movies, he is patient, but in fact he is not with me. Better that such actors will leave immediately, but those who remain will be heartily given work. III And in January 1939 ... Regarding the face.You said that if the artist will seek your face, it turns out that he is looking for the person who finds a grimace. This idea is very clever, but you're upsetting story. Take Lermontov, he began his work with, and made tetradochku prostonaprosto rewrote it poetry, which he liked.He rewrote download the film naturiste
and Pushkin, other poets, and then he had the imprudence to rewrite the "Prisoner of the Caucasus" by Pushkin, and when he began to rewrite it completely unnoticed there was inscribe their own poetry, and ending up being that he wrote his own "Prisoner of the Caucasus." What is it, if you take this job Lermontov?If Literary approach her - it was the desire to find his face, and he scared imitating Pushkin found his face. I believe that the question of whether to each director at any price 449 sought his creative person, looking for his own gait, no one else like, be sure to deliver.This will be a fight with eclecticism, with imitation completely irresponsible.
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Lermontov, Pushkin imitating, overcoming the imitation, sought to remove the shackles of download the film naturiste
and Pushkin. Eichenbaum argues that this is a work in overcoming Pushkin beginning and the desire to create your own.I gave an example with Lermontov, because it was a real hard worker. You are right ... concerning Pushkin inspiration.