It is for this topic guerrilla film Visconti subjected to harassment and censorship unheard of many episodes were cut out of it.The enthusiastic support of the film "Sense", as well as the later "Rocco and His Brothers", met at a more astute critics, especially in the pages of progressive newsreel "Chinema nuovo" Edit Guido Aristarco. It is in the works Visconti they saw the development of neo-realism, his transition to genuine realism.However, the transformation of the Visconti in a "hard act to follow" to the detriment "nedorealistam" and threatened to alienate this great master of the art of his associates, to set up an artificial barrier between him and the other neo-realists.Anyway, in the early - mid-50's, many left-wing critics could not hide a certain dissatisfaction with what has been achieved neorealism.Democratic film criticism, noting that the power of neo-realism in its critical, revelatory charge indicates that it does not reflect or reflect enough those shifts that have taken place in public life in Italy - organized struggle of the working people, for example, mass strikes; the progress made as a result of this collective struggle;the power of human solidarity. Neorealist accused and that the endings of many films, acute putting social issues, sometimes naive, does not correspond to the passion and depth with which these questions are raised; warned of the dangers of linking its development of new "dogmas" inside the anti-dogmatic such areas as neorealism.There was a need to expand the topics in more generalized image, in search of new forms of artistic penetration into objective reality. Theoretical journal ICP "della Rinascita" Edit Palmiro Togliatti, in 1953, wrote:"Italian cinema thanks to the creativity Dzavattini and other leaders turned their camera crews to real life ... lost his old rhetorical, has acquired great sincerity, honesty, and truly artistic style.All this, however, should not make us forget that the accuracy of the image newsreel fact is not sufficient to achieve the realism ...Rest on its laurels Dzavattini not going on it, we risk to prevent the Italian cinema Watch Online
and rise to high realism, which reached the Soviet films, representing - as it is commonly known - a great school ".In response to demands to "improve" neorealism Dzavattini, unable to hide some confusion and even resentment, said that this trend is "not the result of talent or the original director's idea of a director, there is a definite and irrepressible ideynohudozhestvennoe for having their roots in the historicalprocess, in an effort to download movie naturiste
and reflect the people's aspirations, national reality ... After many years of life, we met with his home country, or rather "discovered" it. It's a miracle, which is not yet able to create literature that created the cinema.
And we can say that in this - a common human merit of Italian cinema ... In this way, the Italian cinema has moved close to the sight and life. " Neorealism - not just a movie, it's the banner of struggle for the renewal of the whole Italian culture and the banner at the battle does not change.