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This is a short multiple plans, and the imposition of the frame to frame them as it shows the cumulative effect of the will of Kane.Sartre saw here equivalent to the English frekentativa, time, pointing to the common nature of the action or the prohodyascheenastoyaschee. But what happens when the accumulated efforts of Susan ends suicide attempt, shown in a scene with an extended plan, and with a depth of the frame?This time, the image starts to this study one of the last of the cloth. In the images, the data in depth, pieces of the past are expressed as such, and each kuskasvoi shades and our own potential, and in addition, these images are at critical moments Kane will to power. Hero, acting, immersed in the past and moves in the past:is not subject to time, motion, and motion - time. For example, in a large scene where Kane in depth frame catches friend who is going to fall out, he moves in the past, the gap was this movement. And in the beginning of the movie "Mr. Arcadia" adventurer, moving us to a large yard, arises from past issledoSr.: MM, p.310. Eng. per., p. 410 Gilles Deleuze inoObrazvremya 411 Vat area where he's going with us. " In short, in this second case obrazvospominanie does not pass through a series of download the film Nine Lives of Nestor Makhno
and restored them this long and overcomes itself in regions coexisting past, causing him to life This is a function of depth frame:each time to explore a particular piece of the past, a continuum. Should I again take up the issue of depth frame kotoryeBazen succeeded in setting and close by introducing the concept of "planepizod"? The first problem concerns the novelty of the method.In this regard, it seems clear that the depth of the frame was the dominant image of the beginning of "a-tory of cinema, when there was no installation, no storyboards, camera remains download the film Nine Lives of Nestor Makhno
and fixed, and the various spatial plans were given only in the aggregate.The depth of the frame did not stop, however, exist between the plans when there is a real difference, but when they can be combined into a new set, where each of them is related to itself. Here. we have already identified two forms of depth, which in the film should not be confused with each other, as well as in painting.However, their common feature is that they set the depth of the frame and the image, not the depth of the frame and image.If we take the XVI century painting, we see a distinct difference - however, it relates to the parallel and serial plans, each of which is autonomous as iobuslovlivaetsya characters and elements, while all together contribute to the creation of many.But every plan - especially the front - "self- employed", and is download the film Nine Lives of Nestor Makhno
and involved in the great work of harmonizing their pictures only within its own borders.New and fundamental change occurred in the XVII century, when the elements of a plan are sent directly to the elements of another, the characters that are on different planes, are interconnected with a diagonal pattern or organization through the "gaps", the privileged position in which we now belong to the rearplan, is directly connected to the foreground.