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and believe, but not in a better world, and in the relationship between man and the world, in love or in life - to believe in all this, as in impossible, as in the unthinkable, which nevertheless only and can be thought: "Give me a chance, and I choke."It is this belief and makes the unthinkable in the inherent potency of thought, and it happens through the nonsense and absurdity thanks. Artaud never perceived weakness of thought as a disability, means we are struck with regard to thought.Weakness is inseparable from the idea, so we have to build it in the way we think, no longer qualify for the "restoration" of the omnipotence of thought. Rather, we should take advantage of this impotence to believe in life, and find the identity of thought and life:"I think about life, and all of which I could build, will never be equivalent to my screaming, yelling man is busy redesigning their lives ...." Can we say that Artaud was close Dreyer?Can we say that Dreyer - it's the same Artaud, but only this, to which "returns" the mind, and always thanks to the absurd? Friends noted the significant psychological crisis schizophrenic journey Dreyer But, in addition, Veronica Taken ably demonstrated that the mummy is an essential element of his recent films.This was already true about the "Vampire", which appears as a mummy diabolical beginning of the world, but also as an indecisive hero who does not know what movie download Lady Terminator
and thinking and dreaming about his own petrification., in "word" mummy became very thought, a woman who died in may 'lodom age kataleptichkoy:life and love returns to her friends semey1 ailments Dreyer gives uzkopsihoanaliticheskoe interpretation: «Carl Th. Dreyer ne Nilsson ». Ed. du Cerf, p. 266ny fool, just because of the fact that he has ceased to be mad, that is. E. To consider themselves different world, because now he knows what to believe ...Finally, in "Gertrude" developed all sorts of implications and a new relationship with the idea of the movie: "mental" situation replaces all the different sensory-motor; permanent severing ties with the world, the eternal hole in the exterior objects, as embodied in the wrong mounting harmonization; capture unbearable even commonplace and insignificant;meeting with the unthinkable, which, if not impossible to say anything - until the disappearance of Gertrude; petrification, "mummification" heroine realizes that faith is thought the unthinkable. In all these ways, "Gertrude" is the herald of a new cinema, and its continuation can be called Rossellini film "Europe 51".Rossellini has expressed its position on this issue as follows: less than human world becomes, the greater the duty of the artist becomes inspire trust and faith in man's relationship with the world, because the world was created by people heroine of "Europe-51" - a mummy, radiating tenderness.