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Fairy tales of the Viennese wood
FILM REVANSA Notice now, that between the creative imagination, that is,fruitful activity of attention, and between delusional, futile dreams, which is building castles in the air impossible dreams - a huge difference. First, that is, the creative imagination, is always subject to logic, common sense ground. It employs very specific tasks.Attention concentrated, expanding its range with the "if" is always according to the role. The creative imagination of the artist should get to the point of force, to the eye of artist saw appropriate visual images. Then his imagination to create what we call the inner visions of view. Pp.155 out of a string of such continuous visions formed a continuous line is not easy, and only illustrated the given circumstances. At every moment of stay on the stage actor should see or what is going on outside, on the stage, or what is going on inside him, in his mind, that is,any of their vision, which illustrate the given circumstances. Of all these factors form what the outside, inside the infinite, continuous string of visions, a kind of film. Until last works, it stretches to reflect circumstances as download the film Revansa and illustrated offered, including live stage actor - who plays.When creating movies visions are important, but "if" more questions: when, where, why, why, how. They help to distinguish the artist outlines of a new, unknown still life and putting it into action in the exciting new inventions of the imagination.Now, you have forgotten about yourself personally, as NN, and so climbed in all new developments as so easy that they themselves did not notice that was not the role and "I", and it became: "I - the role" . All exercises the imagination to show the artist how to create stuff themselves inner vision for a film, and not daydreaming "in general."We make a conclusion from this: every movement on stage, every word must be the result of true life of the imagination. And the second conclusion: the stage can not do anything mechanically, technically, no life of the imagination. Such actions, without life of the imagination, do not lead to the truth, but only to automatism.When the artist came to the well established life of the imagination, there is nothing he does not interfere. Buzzing in his love of art. Here is a personal experience can not be separated from the role of the earth, from its truth and honor. Nobility and you remove the whole passion role before you apply them to the scene. But the passions must be brought to the stage? All of them?No, only the ones that you have chosen as the organic pieces of life roles and removed them all naturalistic rudeness, in fact do not need no role or scene. Now, you can not look yourself in the art, and will be looking for an art in itself.
FILM REVANSA You will pour out on the stage that life as they found in themselves.Only now, choosing organic pieces of life as you can weld them into one frame role in it by his imagination and released Pp. 156 of clamp body, you create what we call-through role.