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Fairy tales of the Viennese wood
film Revenge Even the name of the film - though not invented by China, and producer Masayuki Mori - constructed by mounting the principle characters "Khan" and "bi", standing side by side, means fireworks, and a hyphen - the color of fire. Chronology "Fireworks" seems sloping, complicated in the film polnympolno flashback.However, looking at it a second time and are already familiar with intrigue, it is possible Watch online movie Revenge and notice that each piece has its psychological justification: for as Nishi scrolls in the head over and over again the events of the past, a picture of what happened becomes clearer to the viewer.Installation is a means of understanding the character, way to get into his head and soul. After more linear "Kikudzhiro" and "Brother yakuza" Kitano returns to the experience.The "dolls" installation sometimes precludes whatever formal logic, except the principle of emotional involvement of the public in the process of perception, and the most common parallelism between multiple storylines. In "Takeshis" logic assembly abolished completely.The film is looped like a bad dream, everyday compositional techniques it is practically not used. "Takeshis" reminds us of its intention to come up with Kitano's "cubist" cinema: shot in full accordance with the script, it had to be divided into separate elements, mixed and bonded with each other at random.The director suggested to determine the mounting numbering scenes, pulling the paper out of a hat at random. So radical a result, China has not yet reached, but he continues to work on a possible increase in the share of randomness in the creative process:That is why, even becoming a professional artist, he refuses prefabrication storyboards. Kitano says that in this way he is deceiving crew, do not trust him since the days of "police brutality."Certainly knowing what he wants, the director likes to instantly change the camera angle or location of the light source, assuring the operator that will settle all the installation. On the set of "Zatoichi" worked two chambers - the main, the movement of which Kitano directed all the nuances, and support; operator to manage it the director asked to improvise.As a result, when mounting mostly used the plans that have been removed the second chamber. Give free rein to chance - to China, this is not a whim but a conscious, cultured strategy. In contrast, pre-planned movements irritate him. Because often the scenario is changing in the course of filming, and the installation episodes reversed.Known anecdote about a leased ferry that was supposed to appear in the final scene of "Fireworks": he waited all day long, and then the owners had paid the penalty solid as the film location for the scene and was not found.
film Revenge It got to the serious conflicts:producers "Sonatine" agreed to shoot the film after reading the script, but one visit to Okinawa, where there was work on the movie, it was enough to be terrified and almost shut down the project, renamed China by the time of "Okinawan Piero." "Takeshi Kitano's unpredictable," he called his documentary ZhanPer Limuzen.Unpredictability - a quality that allows the viewer to amaze Kitano films even when the plot is secondary and predictable.