Changing one frame to another place at the time of the movement itself. Changing race distance should be reflected in a change of personnel. There are two main types of motion on the screen:towards a fixed point, or along a screen. When driving on the spot three variants of the triangular principle of the camera can be used for the filming of the fragmented: kontrplan, right angles, and the visual axis, the total for all five shooting options.All of the techniques can be download the film Revansa
and reversed in the transition from plan to plan, I 2, or two of the plan to the plan I. For the filming of motion picture fragments to be divided into two or three sections. 61 repetitive movements in the same sector of the block in the same direction or in opposite directions.These directors believe that the movement of the object from the center to the edge, or on the contrary, more efficient and more economical than the actual removal of the subject of the picture. Moving speed of the object is not important. The chosen model is download the film Revansa
and unchanged.Using this technique in conjunction with the above methods and techniques of motion capture, you can achieve fast, economical and rapid transition from 237,236 plan to the plan to remove the continuous movement of the actor, animal or machine. Alternatively: the story may be part of the frame or out of the frame - this method will be examined by us in the next chapter. .62 The motion begins and ends in the middle, or it starts with one hand, and ends at the opposite side of the frame. CHAPTER 12 PLAN AND MOVING INSIDE OUT PLAN With this technique, the subject is in motion in the foreground or completely out of the frame, or remains in the frame, and then goes back into the background.But for the second plan, there are two possibilities: either the subject is in the background on the side opposite the one where he went, or he is in a frame in the center of the image or the edge. Three basic rules, summarized at the end of the previous chapter also apply here, except for the opportunity to continue the movement.When it comes to moving out of frame, the change of plans occurs immediately after the character. When it comes to moving out of frame, then: A shot is cut short when the subject is already partially out of frame. The plan is a little delayed on the screen after the departure of the character. When a character enters the frame uses the opposite technique.In this case, the five versions of the triangular position of the camera, internal and external kontrplany, right angles, parallel to the camera, and finally, the overall visual axis for two or more successive plans.DIVISION into several fragments If the motion is short, it's usually two visual fragments are enough to show its beginning and end.
For a long, repetitive motion another plan - this is too impoverished decision.It is better to break it into three or four fragments or insert thrashing between the beginning and end of the movement, reducing it, so, to bring the audience into confusion.