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Tick in his brilliant play "Puss in Boots" real life turns into fiction and vice versa. Theatre requires it, the theater has its own laws and he must speak the language of its laws, it is he does. Mayakovsky reaches out to the past, to the wonderful drama.Listening to this thing, we are reminded of the greatest playwrights. This piece should go as it is written. 218 II. FROM THE SPEECHES IN THE CLUB FIRST Exemplary Printing House October 30, 1929 ... The poet Vladimir Mayakovsky showed us how important epigrammatic reception in drama.We see the difficulties standing in the way of those playwrights who refer disparagingly to the reception as part of modern playwrights, taking Soviet theme and trying to resolve it anew, get off because they do not possess this difficult technique - epigrammatic.Looking closely for a long time to Mayakovsky, I see that this technique biting epigrams, receiving an unusually vicious mockery of those phenomena for which he attacks, he uses primarily as a poet. So there is no long-winded, so it is always brief, accurate, figurative language.How often do we see on the stage play long, boring, uninteresting, wordy.To kaknibud amuse, to entertain the audience, many contemporary playwrights are woven into the play the baletets then poshlovatenkuyu Muzychko then introduce kakienibud poems, which have no relation to the subject, the kakuyunibud sideshow, like the one which in the "Hop-la, we live" Toller inserts director causing neither here nor there at the death dancestage, the float lighting effects. In all of this "theater" nonsense always drowns the basic idea of the play. The audience leaves the theater emptied as of myuzikholla. Mayakovsky always extremely brief. He always knows what he ridicules, for which he derides, and always knows for whom he creates a spectacle.He is never anything superfluous. This is the first author, whom I have never altered. I never dared to dirty him a word or make a permutation of the episodes. He's always all over the place. It is extremely compressed and stingy. His "bath" is much stronger than all of his previous plays.This is not to say that his previous plays rather weak - and "Misteriyubuff" and "The Bedbug" I really love - a wonderful play, but his new stuff Mayakovsky further strengthened.There are so brilliantly ridiculed the bureaucracy, ridiculed a number of shortcomings of our reality, all he does is extremely dire, with the greatest wit. In this work, there is another feature. When we listen to him play, I remember Moliere.Indeed, especially characteristic of Mayakovsky's great monologues, in which he piles up the verbal material with such brilliance and wit with which we knew before that only Moliere. film Seksdrayv
. And then, despite the fact that "The Bedbug" and "Bath" written in prose, in this prose before you grow a great poet. And further.He is amazingly wide 219 pushes the scope of conventional theater. It shows on the stage all that he pleases. He makes modern technology to catch up to the scene itself.