dreams movie Rab
Be that as it may, the neo-realism of Rossellini - that's not the whole Italian neorealism, but only one of its lines. Italian neo-realism - a living, which is in constant development experience that can not be squeezed into a static formula.Parallel to the work of Rossellini formed other lines of development, fed on other sources. It is particularly important is the experience of Vittorio De Sica. First actor of stage and theater, then a typical hero of the best films Camerini, De Sica debut as a director about 1940 and initially does not go beyond easy and pleasant humor in the spirit of Camerino.However, in the world Camerini De Sica immediately makes a satirical open position, striving desperately to solve the narrative material in caricature sketches, already contain the germ of social background of controversy and moral judgment. "TerezaPyatnitsa" in this sense is already a great achievement:remember very brief scene attending college patroness.At the same time De Sica shows susceptibility to paint a pathetic world Camerini, which prompts him to southern temperament dreams movie Rab watch online
and strengthen the spirit of sensitivity De Amicis individuality of De Sica revealed almost overnight in the film "The Children Are Watching Us", completed in spring 1943, butwhich appeared on the screen only in 1944. "The Children Are Watching Us", the main idea is expressed in the title, is in a critical vein, family situations, typical of the Italian bourgeoisie in the period between the two world wars.It was the first time in Italian cinema when it receives a specific part in agonizing debate, to make a moral judgment.The same polemical motive prevails in the film "Shusha", where De Sica gets rid of a forced caricature, from some exaggerated sentimentality, still persists in "The Children Are Watching Us", and rises to the full image of man.In "Bicycle Thieves", the best film of De Sica and the best film of Italian cinema in general, more precisely determined by its «Stimmung»: the brutal loneliness to which dooms the human struggle for existence, the parable of humanity, filled with determinism and hopeless, devoid of catharsis.Accurately determine the nature and significance of its social and moral controversy, which is not an end in itself, but a way to identify a person's position, the question does not require an answer. Never before De Sica Italian cinema does not address topics such good citizenship and the sound did not come to such a humanistic absolute conclusions.The evolution of internal motives De Sica correspond truly amazing formal evolution.
dreams movie Rab
In fact, the launch of De Sica, emerged from the workshop Camerini, due to the experience at the level of the profession to popular, peripheral in its cinematic language.Even "The Children Are Watching Us" and "Shusha" on the form works were false, where rapid inspiration wraps vagueness of formal decisions, did not allow developed their own style.But in "Bicycle Thieves" De Sica has perfectly mastered the techniques of cinematic expression, won a poetry poetics - the conquest later, but on their own, through suffering, free from bias and aesthetically therefore particularly valuable.