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Fairy tales of the Viennese wood
movie Spices love You can say that the time has already passed Rossellini. And of course, to movie Spices love watch online and be able to do anything should still valuable, he would first have to regain a sense of huAuriol JG Faire des films pour qui? - «La Revue du cinema»,? 4, 1947, gen. Auriol J. G.Entretiens romains sur la situation et la disposition du cinema italien. - «La Revue du cinema»,? 13, 1948, maggio. dozhestvennaya identity. We will not go into an analysis of his work.For our study, it is important to watch online and noted that neither at the beginning of the path, marked by the influence of De Robertis, or at maturity, reaching the identity nor the premature decline Rossellini does not detect specific kakihto relations with the "scientists" currents of Italian cinema, from which came "Obsession".Consequently, neo-realism of Rossellini - a relatively new phenomenon in the Italian film industry, which should be attributed mainly to the tradition of documentary character.And yet, if you can not movie Spices love watch online and to determine the role played in the formation of Rossellini, even unconsciously, the appeal of the more remote traditions, such as regionalism, and the whole atmosphere of the film industry as a whole, can not be a priori such a role and deny.Be that as it may, the neo-realism of Rossellini - it's not all Italian neorealism, and only one of its lines. Italian neo-realism - a living, which is in constant development experience that can not be squeezed into a static formula. Parallel creativity Rossellini formed other lines of development that fed on other sources.It is particularly important is the experience of Vittorio De Sica. First actor of stage and theater, then a typical hero of the best films Camerini, De Sica makes his debut as a director around 1940 and initially does not go beyond easy and pleasant humor in the spirit of Camerino.However, in the world of Camerino De Sica immediately makes a satirical open position, striving desperately to solve the narrative material in caricature sketches already containing in embryo social background of controversy and moral judgment. "TerezaPyatnitsa" in this sense is already a great achievement:remember very brief scene college visit patroness.At the same time De Sica shows susceptibility to paint a pathetic world Camerini, southern temperament which impels him to strengthen the spirit of sensitivity De Amicis individuality of De Sica revealed almost suddenly in the film "Children are watching us," completed in the spring of 1943, but released only displayed in 1944.
movie Spices love "Children are watching us," the thesis of which is expressed in the title, is in a critical way the family situation, typical of the Italian bourgeoisie in the period between the two world wars.It was the first time in the Italian cinema, when it took part in a specific painful controversy, endured moral judgment.The same polemical motivation prevails in the movie "Shusha", where De Sica gets rid of a forced caricature, from some exaggerated sentimentalism, still persists in the "Children are watching us," and rises to the full image of the person.