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In his views on theater critic Stanislavsky much contact with the statements of Lensky in "Notes the actor," published in 1894 in "The Artist".In this matter, the Lena and Stanislavsky were adherents. As Lenski, Stanislavsky believed that theater criticism should exist not only for the reading public, but also for the theater, it should help creative growth.As Lenski, he download the film The Dreamers (2003)
and demanded that the criticism of high professionalism, and believed that the theater critic must specify not only the errors and omissions, and suggest means to overcome them.He emphatically denounced the then _r_ a_z_ o_b_ sch_e_ n_i_ e_ and theater criticism, in which "cooperation turned into enmity," why "afflict our art and society."Stanislavsky sought among critics _e_ d_i_ n_o_ m_y_ sh_l_ e_n_ n_i_ k_o_ in, adherents of the same ideas and beliefs in art, which he professed with such passion. However, he "sometimes does not infringe on the freedom of criticism and of his right to any, even the most severe and harsh assessments.Stanislavsky was to stand up for the fact of disapproval of his acting or directing work, and biased and incorrect understanding of the theater critic of the plan. That's why Stanislavsky spoke Kugel: "He is talented, but the matter is not suitable."Stanislavski often needed sympathy, understanding and support, and looking for people in the impartiality, integrity and taste of which he could not believe. Criticism needed him not to glorify himself and his art, and to test, control, building self-confidence and eliminate their mistakes and shortcomings.In a friendly, but demanding critics, he saw a powerful means of self-improvement and growth of the creative artist.He wanted the critics and theater were _s_ o_u_ ch_a_ s_t_ n_i_ k_a_ m_i_ art movement in art, were advisers and friends of the theater, to help him in his creative work, and controlling its familiar not only with the results, but also with the process of creating the play, with creative theater system.download the film The Dreamers (2003)
and Resented false pride, "olimpiystvo" some critics, who did not want to learn from the theater, which, despite some setbacks and mistakes, was download the film The Dreamers (2003)
and ahead of the critics, led her along.And Stanislavsky and NemirovichDanchenko always were willing to meet the theorists and historians of the theater, seriously interested in the art of the Moscow Art Theater and curiously eager to explore its foundations.In his letters and talks to them, they opened slightly designs Art Theatre, gave permission to attend rehearsals in the theater, and in the studio, gave them to read and study the materials of the creative archive MX Personal meetings, conversations, and familiarity with the critics 'system' Stanislavsky were fruitful for both parties andcross-fertilization and theater critics. Look online
. Stanislavsky consider the opinion of many competent critics and historians of the theater, including the opinion of Flerov Yartseva and especially H. E. Efros and Gurevich, who became an active arts advocates MAT, the same advisers and assistants Stanislavski in his quest.The struggle for the renewal and transformation of the performing arts led Stanislavski come to the defense of his ideas, his artistic credo, his discoveries to get exercise in the practice of the Art Theatre.To make the public domain their personal artistic experience, all that is valuable and significant, extracted them, Stanislavsky was to explain and promote their views, make presentations, speeches, articles, and write about the nature of theater and the arts actor to become a researcher and scholar.