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Fairy tales of the Viennese wood
film Mr. Pitkin: Girl on the board If you deny this collectivism, it is not clear - underlines Barbaro - why such a denial should not Watch Online and also extend to the field of architecture.theater, opera, and even here you are instances in painting human figures when writing an artist and landscape - the other.And let Collin tells us that in every work of art created together is impossible Watch Online and distinguished part, written with the other hand, for saying this, he, first, does not honor their preparation and as a critic, and, second, contrary to his own thesis comes to the assertion that theseworks achieved an indissoluble unity - the same unity that is really achievable, even if the most astute and deeply prepared by art critics and always will be able to distinguish which part of the work carried out in some of the artists who collaborated."Against the allegations" individualists "- concludes Barbaro - can be set as another argument that some time ago he wrote, and perhaps quite literally, Pretstsolini: the artist should never say" I created ", and have to say "create in me."This truth also argued Gobetti when presciently saw the "historic character of the imagination." So, based on the deductive method, so dear to the heart of Arnheim, Barbara, comes to conclusions opposite conclusions of the German theorist, whom he accuses of "excessive formalism".Barbaro Com V i o d i 11 ° C in a 11 well, II cinema e la arti, Fratelli Lega ediitori, Faenza, dit, more or less indirectly, but it is clear to the principles Pudovkina: he sees in the movies fusion of different techniques and the result of collaboration .To Arnheim Barbaro if drawn, only to emphasize that the movie, although it uses a mechanical means, creating art, not a photograph. "The objection is - indicates Barbaro - generated error:count machine equipment used in the production of the film - the film movie camera, sound recording equipment, machines for printing and display.Because these items are not machines, and tools, which means they do not have any automatism or independence and, therefore, far from being able to enslave the person applying them, they are always subordinated to his artistic will. "Therefore, it would be better Filming unit called "camera", which, being subject to, as well as other tools movie, human creativity, "is completely equivalent to the chisel of the sculptor and painter, as already said Giovanetti, Arnheim, Margadon and many others."That is the assumption of independence of the car and were born, as we have seen, the theory of Dziga Vertov about "miraculous" properties of the movie camera, which, in essence, represent "an alibi, hiding the failure of those who apply the" camera ", without understanding its characteristic features" . Similarly, says Barbaro example, children say:"I have broken ink" or "I broke a pen" instead of download movie Mr. Pitkin: Girl on the board and say, "I broke the inkwell," or " I dropped and broke a pen. " Similarly, mediocre actors say:"I do not get" the difficult terms to them that they should speak or play.