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For example.Character goes out, takes a taxi and goes to the station to board the train. Common scene from the usual movie. If, before getting into the taxi, the man looks at his watch and said:"God, how awful, forever I'll be late for the train," his journey takes tension - every light, every intersection, every cop, every road sign, each press of the brake or speed change will enhance the emotional quality of the scene. Self-explanatory and persuasive power of the image is such that the viewer does not say to himself:"In fact, he did not ochento hurry" or "He would sit for the next download the film The right to Sado Maso
and train." Due to the voltage created frenetic images, no one can doubt the importance of what is happening.This setup for dramatization, of course, can not do without the copyright tyranny against which sometimes intractable rebel accusing Hitchcock's implausible. Hitchcock often said that he does not care for plausibility, but in reality it is rarely implausible.He builds suspense by incredible coincidence, from which the "strong" situation in which he needs. Then gradually enriches the drama and tying her knots tighter and tighter for maximum intensity and credibility before coming after a very rapid atrial junction.Usually the scene of highest tension are special moments of the film and stored in memory. But analyzing the films of Hitchcock, you realize that throughout his career, he sought to create such films where all the points would have been special, movies, according to his own words, without holes or stains.This fierce desire at all costs to keep the viewer's attention to, as he himself admits, to create and download the film The right to Sado Maso
and maintain an emotional response and through voltage, gives his films a specific and unique character.Hitchcock holds the viewer's attention, not only in the power points of the plot, but also in scenes of exposition, linking scenes throughout the usually non-winning episodes. Two scenes of strong suspense never tied his usual scene because Hitchcock hates usual. Maestro is also a master of suspense unusual. For example:a man who has trouble with the justice system - but of whom we know that he is innocent, - goes to a lawyer to present his case to him. The situation is quite banal.But the interpretation of Hitchcock's lawyer from the outset will be skepticism, restraint, and perhaps, as in the movie "The Wrong Man", even refuses to take up the case, saying his future to the client that he is in such cases is not good at and do not believe that Whether he is a man who needed ...As we can see, for this situation there is a feeling of anxiety, doubt and distress, giving it inevitably tragic. Watch the film The right to Sado Maso in excellent quality online
. Here is another illustration of how Hitchcock deals with the commonplace: the young man is her mother's girl he recently met.Naturally, she is eager to please the old lady, perhaps her future mother in law. The young man is very relaxed mother blushing and download the film The right to Sado Maso
and confused girl shyly came forward.Elderly woman, whose face was download the film The right to Sado Maso
and changed, as long as her son said, introducing her to a girl, directs look in her face, in her eyes, she recoils slightly, indicating that its loss, so Hitchcock again using only the view gives us the image of one of the terrifyingly domineering mother, who is his hobby.From now on all the "family" movie scene acquire voltage spazmatichnost, conflict, intensity.