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What are you poor, the devotees. Whether you are an academician, writer, actor, athlete - no difference. In one of his interviews hockey player Vyacheslav Fetisov recalled:"When our athletes have started to travel download the film The right to Sado Maso
and abroad, there was a special resolution that the athlete is not allowed to receive more of our ambassador. For instance, if the ambassador had $ 1,200 a month, the athlete, however much he earned, he could not have more than a thousand each month. In this bad profited our Sports Committee.So, when we were allowed to play in the NHL, I immediately put a condition: to receive only 10% of the contract. And our question, why not 20 or 30%, said they received the installation: "In the USSR millionaires not to produce" True, we have only the fruit of decades of poor. After the collapse of the Soviet Union, almost all the country was below the poverty line.And there was an amazing metamorphosis: the country was the fruit of the poor millionaires. It does not require much intelligence to understand who bloodsucking, and who - a victim. I never wanted to be not only a millionaire, but just a rich man. I say this without any coquetry. I have a modest desire: not to think about a piece of bread.Because it is humiliating, unworthy of man. Any person, and creative - especially. What sublime feelings can awaken the actor in the audience, if not his eyes lit the fire of inspiration, not the power of passion and conviction, and the light sadness and despair? And yet I and my fellow stage'm genuinely happy. Produced interesting performance, there is a good role, and we forget about everything, we create our own world by his stage laws. Left alone with the audience, together we are trying to create an atmosphere of mutual understanding. And if it works, we do and want nothing - and the actors and the audience. And then there is no happier people in the world!I've never been zazhravshimsya. If I have seen that the role you can play to get by another, not a template, I agree, and the episodes. After all, for me, the main thing in character? Understand the motives of his actions, to understand those springs that drive his character. So I download the film The right to Sado Maso
and played Iago in "Othello". Very interesting style! Othello Iago is much more complicated.Someone even wrote that Shakespeare's tragedy should not be called "Othello" and "Iago". Why Iago launches its intrigue? Film The right to Sado Maso
. Desdemona does he want? No, it is not necessary. He hates Othello? Not so much hate as jealous black, and only the general, but he's white, but the lieutenant. Why boy Cassio comes in chiefs, and he - old soldier - on-site marking?"Othello" - the tragedy is not love, and jealousy. Iago wins in the plot, but not in life. Efros's how to come up with the final: I was trying to climb the stairs and could not - hung on the one hand, like a rag. As for the episode, I want to remind the old theatrical saying "there are no small roles, there are bad actors."That, in fact, we are worse than remember the Simpleton, or Selifan Lizonka than Shumsky, Chichikov or Chatsky?