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Fairy tales of the Viennese wood
WATCH THE FILM WOLF'S BLOOD ONLINE A number of papers in the years to Stanislavsky developed the ideas expressed by them in these early drafts of the preface, refines and develops them.So, in the article "Director", referring to 1910, Stanislavsky indicates that the true artist scene, reaching the nearest target, "should immediately make a dream and a new goal to achieve. This is painful, but in moving forward the whole element life of an artist ".He hated satiety, complacency and indifference and called for inspiration, creative curiosity and daring. But, advising actors learn to "fly", "soar above the earth, affecting the high themes and characters", he demanded that they interpreted their life truthfully."What is said now to soar above the earth, it is a lie, pathos, broken," he wrote in his notebook 18991902's. This remark is very typical of Stanislavsky, who, like NemirovichDanchenko saw true romance and poetry are not divorced from reality, and in a merger with it.Just as NemirovichDanchenko he hated "theatrical romanticism," as something opposed to life as a "false form of" art. Romance and heroism were his inseparable from life itself, from its sober and deep realistic display.Building on the precepts Shchepkin and Gogol "take samples of life and nature," he sought to break the shackles of convention and craft canons release actors from the "slavery" of academic immobility, from the oppressive framework "suzivshih artistic horizons to the size of a small theater slit through which was barely visible to the present life. "Struggling for realistic art, it is always with a passionate intolerance download the film Wolf's Blood and treated everything artificial and false, which distorts the talent of the actor. "Stamps, conventions shackles that enslave actors and deny them freedom. Actors on my system are constantly fighting for their freedom, killing a convention and stamps.The actors of the old school, however, develop a stamp, that is tighter and tighter fetters himself in shackles, "he wrote in 1910." I'm kicking stamp and destroys convention to release the person's personality, "he repeats the same idea in the notebook book in 1911.In the notes on the conventions, the truth and beauty in art, written in the first half of the 900-s, Stanislavsky raises a number of important topics. But the issue of conditionality raised here Stanislavsky, does not receive a full and more comprehensive coverage.Roundly condemned as artificial conventions, lies, ugliness, like a bad theatricalism needs clarification. The term "convention" Stanislavsky here identified with the concept of routine and die, whereas in the conventional sense convention is one of the inevitable features inherent in art.In this sense, Stanislavsky denied convention ever in his records called it "conditions the scene." In 1889 Stanislavsky wrote: "... not to be confused with the necessary conditions routine scene, as the latter requires, of course, chegoto special that is not in life.'s Tutti and objective:bring life to the scene, passing routine and saving at the same time stage conditions.